The Drawing Project – Castlefield Gallery

Last Thursday night saw the opening of this exhibition, which continues from today until Sunday 23 February, so you’ll need to be quick if you want to see it.

I’ve got Watermark installed as a four channel video installation and I created Migrate: Free Movement of Workers, a drawing using rubber stamps and a projection live on Thursday night at the opening event.  Take a look at my website for more pictures from the performance and don’t forget that you can download the Drawing Project publication, which includes two essays on drawing by Sophie Preston and Lewis Cornish from the website.

The Drawing Project
Castlefield Gallery, 2 Hewitt Street, Manchester, M15 4GB
14 – 23 February 2014
Wed-Sun 1-6pm

Artists: Jenny Core, Sophia Crilly, Hondartza Fraga, Mary Griffiths, Lesley Halliwell, Jenny Steele, Claire Weetman

Inspired Responses 9 -The Brindley

During the autumn of last year I was working with two secondary schools in Halton as part of the Inspired Responses programme.  Inspired Responses is a mini artist residency programme where an artist visits a secondary school, sharing their practice and passing on the skills that they use, before the teacher develops work with the students during the term.  The artist returns at the end of the programme to advise on presentation of the work in an exhibition at the Brindley Gallery.

The exhibition is currently showing at The Brindley until 22 February 2014.

With the Heath School we looked at the jet-washed drawings that I have been making recently.  We went on a walk around the school photographing and drawing signs, and the students felt as though all of the signs in school were negative, telling them not to do something, or not to go somewhere.  So working with their teacher Mrs Wade they have designed signs that are positive actions that can be carried out in school.  They developed these designs by cutting stencils from paper and experimented with layouts by painting them onto banners.

The students designs have been turned into digital files that can be cut out on the school’s laser cutting machine.  Using a sturdy plastic we have created stencils which have been jet washed onto both the school playground and onto pavements around the Brindley.  Here’s a video of the designs being installed:

The after-school club at the Grange looked at a selection of my works about movement and chose the ‘One Minute’ drawings on paper to be inspired by.  These works are about how people move around spaces as viewed from the top floor of a building.  The new building that houses the Grange school is sleek and modern, with curving balconies and staircases where pupils pass through, much like the places in my ‘One minute’ drawings.
We took a walk through the building, taking photographs and videos to record the movement and the shapes of the architecture.  Using pencil, graphite sticks, graphite powder and stencils cut from paper the students experimented with making marks, photographing their drawings at a number of stages to create a selection of short animations.  Learning from these initial experiments, each student has created their own graphite drawing inspired by moving through the school, taking the ideas and techniques that I’ve shown them and making the work their own. I’m really pleased to see such an interesting range of techniques in their works – I might borrow some of their ideas for my future works.
Inspired Responses 9
The Brindley
High Street
Runcorn
WA7 1BG
18 January – 22 February 2014
The Gallery is open: Mon – Fri 10am – 5.30pm, Sat 10am – 3pm
Closed Sundays & Bank Holidays

The Drawing Project – Castlefield Gallery 14-23 February 2014

I’m currently making a new piece of work which will be shown at The Drawing Project at Castlefield Gallery this month.  It’s a piece of work that I’ll create live on the opening night that involves projection, rubber stamping and migration.  It’s all under wraps at the minute, so you’ll have to come to the event on Thursday 13 February between 6-9pm to see how it all comes together.

In the meantime, go and have a look at all of the other wonderful artists who use drawing who will also be part of the exhibition: http://thedrawingprojectnorthwest.wordpress.com/

Urmson-Burnett Photogram Open

Urmson-Burnett Gallery announced the first national prize competition for photogram makers in August 2013. Submissions have been collated and a final selection made. To view images that will comprise the show click here

Submissions came in from throughout the UK, and, as a nice but unexpected surprise, a number of works were submitted from abroad. Photograms from artists in the USA, Hungary and Malta have made the final selection.  Claire Weetman is exhibiting a multiple exposure photogram ‘Would you tell me, please, which way I ought to go from here (Up)’.

The exhibition takes place at Urmson-Burnett Gallery in Salisbury from 25 January – 15 February 2014 and then tours to Silverprint in Elephant and Castle, London from 18 February – 15 March 2014.

Urmson-Burnett Gallery
34 Winchester Street, Salisbury SP1 1HG
Open: Tue, Wed, Fri, Sat 11am-5pm

Silverprint 
120 London Road, London SE1 6LF.
Open: 9.30am to 5.30pm Monday to Friday
10am – 4pm on Saturdays


Reversal of flow – an intervention in Stoke on Trent


How does the redevelopment of a place affect the flow of people within it?  What are the small changes that affect how we find our way around?  What do these changes look like?  These are the questions that arose following my exploration of Hanley town Centre, Stoke on Trent when asked to make a new intervention as part of the Small Change exhibition at airspace gallery.

‘Change in real and imagined cities’ is the focus of the exhibition, so as part of my research I walked the streets of Hanley and Stoke looking for a space that I would respond to.  I was looking for spaces where movement occurs, the traces of something that documents a change has taken place.  At the end of my first walk I came across a number of bus shelters with signs advising that the bus stop was closed.  This space, where you expect a bus to arrive that never will, intrigued me.  The building of a shiny new bus station has formed part of a programme of changes to the town centre which involves pedestrianisation of public spaces and the re-flowing of traffic through the town centre.  Stafford Street is one of the main thoroughfares in Hanley that has had it’s one way flow of traffic reversed, resulting in four bus shelters now being on the wrong side of the street and therefore out of use.  It was this simple act of reversing the flow of traffic that I decided to make a piece of work about.

I think of public spaces as potential surfaces to make a drawing on, with the lines I draw or the marks I make describing some sort of movement within that space.  I hatched a plan to mark how the movement on this street had been altered using blue arrows that referenced both the standard ‘one way’ signs and the plans issued by the City Council to communicate the re-organisation of the road network.
I laid ten 6m long lines cut from blue felt fabric along the centre of Stafford Street in Hanley, Stoke on Trent, cutting between other road markings.  Starting at the south end of the road, which has been closed at one end for public realm improvements, I placed a blue triangle on the far end of the blue line, creating an arrow pointing uphill.  Repeating this action for each of the lines resulted in a passageway of arrows all pointing north.  Passers by asked questions of my photographers, a delivery driver drove his van ever so slowly alongside the arrows taking great care not to drive over them and one man asked me where the taxi rank had moved to.  I started to notice where the previous road markings for the bus stops had been burnt and chipped away leaving a coarse road surface.  After a short pause after reaching the top of the street I removed the arrowhead from one end of the line and placed it at the other end.  Repeating this action, the flow of the drawing changed to end up with all the arrows pointing downhill.  Another short pause, then repeat; turn all the arrows to face uphill, pause, turn all the arrows to face downhill.  Then remove the arrows from the street and leave.

Where do you want to be?

Stop, Collaborate and Listen: A dancer and a visual artist begin a journey in a library.
Simon Garfield’s On the map provided a starting point for an exploratory day between dancer Sophie Tickle and I at Chester Lane Library in St Helens. Having never worked together before, the question ‘Where do you want to be? provided a useful way to begin the collaboration. We started by talking a bit more about what each of us do, what tools of our trade each of us had brought with us and considering how to begin.
We started with a map of where we are now.
St Helens.
In a library.
Feeling a bit self conscious.
Not wanting to sit around talking all day.
Wanting to play.
Shelves of library books surrounded us, so to find out how each of us were interpreting the question, we searched the shelves for titles that sparked a connection. We both brought back books about journeys: I selected Thirty Nine Steps and Sophie selected The girl on the ferry boat and Let not the waves of the sea.
‘Where do you want to be’
the importance of the journey to get there
a process
the trials of the journey
Which led us onto books that were barriers to getting to where we want to be: Crossing the line, Overcoming anxiety and Money money money featured here. Physical borders, mental barriers, financial obstacles. Some of these are self help books, linked into the idea of finding our own way through life, which linked into the next group of books: Letters from Skye, The woman who went to bed for a year, The inquisitor and Girl in the Mirror.
Sending a letter to yourself
Time to reflect
Asking questions
Where are we heading? That was represented by only one title: The wish list.
Wishes,
hopes,
dreams.
The things that spur us on through the journey.
Walking through the shelves caused us to start thinking in metaphors.
A journey through a library,
a place that can transport us to anywhere.
The aisles in the library as different paths in life.
We unfurled rolls of fabric that I had brought with me, imagining them as paths on our journey, or letters that we might write to ourselves. We wove them in and out of the books, passing them from one aisle to another thinking of them as the time along the journey when we reflect on where we have got to.
Playing in between the shelves we lay down on the floor thinking about the lows in life, and how the view looks different from down there, how we could glimpse each other’s eyes through the gaps between the books, and climbed up onto chairs to see the view from on high. It all got a bit philosophical as we built barriers using the fabric and Sophie experimented with moving through those barriers, then pulling the fabric to create tension between the different paths that life could take, getting tangled in a web of our own advice and that of others, of life unravelling and paths becoming more difficult to walk along. While in the large print aisle we got our only question from a member of the public, who asked if Sophie was doing her exercises. We made a film of movements glimpsed between the books, and started to imagine how this could translate into a performance or an installation, or both.
We drew some diagrams, made some notes and thought about an audience. How would they experience this? As an installation to navigate through themselves, with barriers to duck under and stairs to ascend changing their viewpoint and causing them to move differently. Videos of eyes watching them from between the books. A viewing platform where they could take in the whole thing (the audience playing the part of hindsight). Shelves populated with books selected by the audience, the books obscuring the view from one path to another. Thelibrary as a performance space where dancers could tell the story of these multiple selves that we take on our journey. A movement score that uses verbs from our initial playful explorations:
tension
reflection
unravel
tangle
divert
And then, we realised that our initial collaboration, starting from nothing, had become an exciting potential project combining dance and visual art. So we’re meeting again next month to play some more, only in a different library this time. Can’t have the lady in the large print aisle thinking that there’s a monthly exercise class there.

Small Change, Airspace Gallery. Until 7 December 2013

AN EXHIBITION ABOUT CHANGE IN REAL AND IMAGINED CITIES
AirSpace Gallery – 8th Nov – 7th Dec, 2013

CURATED by Sevie Tsampalla
ARTISTS – Jane Lawson, Noor Nuyten, Lauren O’Grady,
Claire Weetman
COLLECTIVES – Buddleia / public works, Network Nomadic Architecture, Plus-tôt Te laat, Quartier Midi, Spectacle

“small change focuses on change and placemaking in the city, seen both as a physical and imagined entity. The project comprises a group exhibition featuring existing and new work by four artists, a public intervention and a talk. Alongside artists, collectives from the UK and beyond contribute to the exhibition with audiovisual material that documents their engagement with the public realm. 

The exhibition is a response to the book Small Change by architect Nabeel Hamdi and its main idea that small-scale actions have the power to bring about positive change in urban communities. Acknowledging creative practice and collectivism as agents of change, the exhibition invites artists and collectives whose practice addresses issues of place and social change. The artists will realise new work, alongside showing existing sculptures, drawings and video’s. Audiovisual material from collectively-run projects that aim to making meaningful contributions to their environments, will open up the gallery space to various localities and concerns.

I am exhibiting a number of works in this show, Watermark, an intervention in four directions is being shown on four monitors installed at floor level.  Using the paving stones of a pedestrianised square in Istanbul as a canvas, Watermark follows prominent lines of passage across the space, linking ferry, bus and taxi terminals at the edge of the Bosphorus with the Beşiktaş area of the city.

Chatham Road (Eventually everyone had moved) traces where displaced residents of a single street had relocated and has also been selected for this show along with a first public outing for my Would you tell me, please, which way I ought to go from here collages, which can be found gently glowing in the darkened space to the rear of the gallery.


I’m creating a new intervention as part of this exhibition titled ‘reversal of flow’ which will take place in the city centre of Stoke on Trent during the exhibition and is inspired by recent re-organisation of bus routes and one way streets in the town centre.  Watch this space for documentation of the work once it has taken place.

There’s a host of other great works in this show, including Jane Lawson‘s proposals for alternative economic systems, Lauren O’Grady‘s ‘Other Possible Locations’ sculptures and the beautifully poised works of Noor Nuyten.

http://www.janelawson.co.uk/ 
http://laurenogrady.com/

http://www.upstreamgallery.nl/noor-nuyten/

Thoughts and Pictures, The Vice Chancellor’s Lodge, Liverpool

An exhibition in association with Arena Studios and Gallery, Thoughts and Pictures brings you a taste of the impressive work which is emerging from Liverpool’s grass roots arts scene.

Featuring: Josie Jenkins, Richard Robinson, Phil McKay, Susan Stevens, Carol Ramsay, Mike Snowdon, Lucy Wilson, Nathan Pendlebury, Helen Pendlebury, Anthony Pendlebury, Mo Peacock, Claire Weetman, Julie Dodd, Anna Ketskemety, Richard Robinson and Gareth Kemp.

This Autumn, Sir Howard and Lady Newby are delighted to host Thoughts and Pictures, an exhibition which brings together a mixture of selected artists showcasing artistic talent from across Liverpool. The featured artists are linked through the craftsmanship they use to represent their vision, presenting art, craft and illustration which displays real skill and process in its execution, whether the work is figurative or abstract.

A small percentage from the sales of work in this exhibition will be donated to Arena Studios and Gallery to support its continuing programme of events and exhibitions. For more information about Arena Studios and Gallery please visit www.arenastudiosgallery.com .

Works by Mike Snowden, Julie Dodd, Susan Stevens
Works by Mo Peacock and Josie Jenkins
Works by Nathan Pendlebury

The Exhibition will be held at The University of Liverpool Vice-Chancellor’s Lodge, strictly by invitation only and not available for viewing at any other time. If you would like an invitation to one of the open events, please email info@claireweetman.co.uk