The Giant’s Blankets – Barnsley Library

A person stands on a hillside, with their outstretched arms covered in patterned blue blankets that blow in the wind.

I’ve been working on something a bit different lately. During the creation of The Many Uses of a Blanket project in 2021/2022 lots of beautiful exchanges happened between a wide range of people and the blankets – they were gifted to a cold baby at a charity football match, they comforted a member of the public who fell outside one of the exhibitions, we’ve had picnics on them and brought colour and comfort to lots of public arts events. As a result of this I decided that there was a story to tell. So with a lot of support I’ve written it, and worked out how to bring that story to life by using the blankets.

In The Giant’s Blankets, a lonely giant shelters from the storm under a mountain of blankets. Travelling two giant steps at a time, she secretly gifts her blankets of kindness and care to people and animals in the town, but nobody notices the giant. The audience travels with the giant through the storm to a place where she eventually feels part of a community. At the moment, I am the performer, bringing this story to life using the Giant’s Blankets which transform into crashing clouds and twisting tornadoes; the giant uses her blankets to make a hammock that rescues a cyclist, a tent to protect an engineer and a sling for a baby; and the blankets make a space for a wonderful community picnic when everyone returns to thank the helpful giant who has made some new friends.

On a beautifully sunny weekend in June, Barnsley Libraries invited me to come and share the story of the Giant’s Blankets to their family audiences as part of their programme of Refugee Week events. The two performances were followed by a stay and play activity where we built dens, created fuzzy felt blankets and enjoyed the colouring sheets.

Magical – it was a lovely performance, really creative and imaginative. 

Really enjoyable. My daughter who is 3 was fully enjoying the story and loved the den building

The Giant’s Blankets has been developed so far with generous support from Wonder Arts in the form of rehearsal space, advice and arranging scratch performances; Kevin Dyer as mentor and dramaturg; R&D funding from St Helens Council Borough of Culture grants; Thatto Heath Primary School and Buzz Hub who took part in workshops to develop and test the story and St Thomas of Canterbury and St John Vianney Primary schools who have both hosted scratch performances of the work.

I’m hoping to develop the project further, if you’re interested in hosting a performance and activity, or can support the development of the work, please get in touch.

Finding Solitude – an exhibition of drawings

Venue:
The Coffee Stop Café, St Mary’s Market, St Helens, WA10 1AR
1st February – 30th March 2024
9am-5pm Monday – Saturday

You can also view the works in an online space if you are unable to make an in person visit to St Helens.
View the exhibition in an online space here

Claire Weetman presents a collection of drawings of chairs that invite you to sit down, but that time to rest alone is just out of reach.

This collection of pencil drawings, created by Claire in 2023 and 2024, began by thinking about how time alone either physically or mentally is difficult to achieve as a parent. Chairs are perched precariously on branches or balanced on top of a tottering tower of bins that need emptying. The chairs are inviting, you’d quite enjoy that seat for yourself, but ultimately, all of these chairs and their offer of rest are unusable. 

Each chair is based on a real chair. Three of them were seen abandoned outside while walking to school with her children. Other drawings feature real chairs that have been moved to a more surreal setting to elaborate on the feeling of never being able to find time alone. 

Claire started making this series of drawings during an artist residency in 2023 with Wild Rumpus and (M)other Collective, where she and a group of artist-mothers stayed in the woods for 4 days. While sitting on an old wooden dining chair in the middle of a field she read Roland Barthes’ Camera Lucida. In that book he compares familiar landscapes with the maternal body. “There is no other place of which one can say with such certainty that one has already been there.” Within these drawings, Claire has aimed to capture the familiarity of a chair and to set it in a location that we feel we might have visited. But within each drawing there is some barrier, either physical or emotional, that prevents us from sitting down in peace. 

The original drawings are available to purchase at a cost of £150 each, and prints will be available at a cost of £15 each. Please use the contact form on Claire’s website if you wish to make a purchase.

We Reside* Here

As the lead artist for Artists Together – the artist development strand of work for St Helens Libraries and Arts NPO – I’ve been working on a programme of work during 2023 called Reside*

During 2023 St Helens has been the Liverpool City Region Borough of Culture, so for this creative year the programme was built around this thought:

“What if every artist who is RESIDEnt in St Helens was recognised as an artist-in-RESIDEnce for the year?”

We started the year with a pop up exhibition at The World of Glass that mapped the locations of artists around the borough and shared what they were planning on working on during the year. Following opportunities for artists to get help with funding, planning and commissions, opportunities to make work together, 1-2-1 feedback from curators and producers and chances to share ideas with each other, we have arrived at the end of the year and the production of We Reside* Here.

We Reside* Here is both a publication and exhibition that maps and showcases the work of over 60 artists in St Helens. The document features a map, illustrated by Cady Davies and with graphic design by Karen Hitchcock, that places each artist in the area of St Helens that they are based, showing our audience that artists aren’t rare beings, only to be found in the big cities of Liverpool and Manchester. These artists are our neighbours, the people you meet on the school run, the folks standing at the bus stop, and they are only a small proportion of the people who bring light, colour, stories and the joy of creativity into St Helens.

As well as mapping some of the artistic population, the We Reside* Here document provides guidance to artists. There are examples of how a number of artists are making their work, designed to provide inspiration and support to other artists seeking to develop. A list of organisations who support people’s creativity features, along with a breakdown of what the process of Reside* was during 2023, so that other artists can pick this up and make new work in the future.

The exhibition that accompanies We Reside* Here is installed at St Mary’s Market in the large event space from 25th November – 20th December. This features an installation of the map, with its cardboard-cut-out style illustrations and showcases the work of many of the 60+ artists, whilst signposting audiences to other works that exist in locations around the town.

Artists Together and We Reside* Here is supported by

The Art of Motherhood: An Exhibition of Resilience and Strength

Saturday 7th October 2023, 11am-7pm, Sunday 8th October 2023, 12-4pm.
Stretford Public Hall, Chester Road Stretford M32 0LG

Three of my Finding Solitude drawings that were created during a residency with (M)other Collective at Wild Rumpus’ Whirlygig Woods in July 2023 and my Landing Lights window blind feature in this exhibition in October 2023. The exhibition showcases art, photographs, music, recorded histories and performance that capture the experiences of mothers during World War II and the Covid-19 pandemic.

The opening event on 6th October features a special performance by the cast of Motherhood Unscripted of scenes and songs from the show, as well as a drinks reception with nibbles.

This exhibition is part of Mothers in Crisis: Then & Now, a two-year-long creative heritage project delivered by enJOY arts with mothers from across Trafford. Delivered with support from Stretford Public Hall and the People’s History Museum.

Constellations of Kindness – Thatto Heath Primary school

I tested out a few new things for my Constellations of Kindness work this month. I’ve developed how the project can connect with themes within school, using a selection of prepared images to tie in with the school’s Around the World themed week. Two Y5 classes worked with me to create two globe structures that you can fit your head inside and are now installed in the school library.

Black circles of card hang in front of a window. Words are written on each card  with tiny pin holes that form the letters. Fragments of words meaning peace, love, and kindness in english, polish, arabic, french and japanese can be seen.

We also took an opportunity to develop mass participation with the pin-pricking technique with 11(!) KS2 classes, which required a busy night for the Cricut machine that cuts out all the shapes. The whole of the juniors of this 3-form entry school heard the story of Hoshi and the legend of the lucky stars, before returning to class with instructions on how to make their own mini constellation of kindness. A selection of words about kindness and community were translated into the languages of the countries being studied, plus the languages spoken in school and each child was able to create their pin-pricked contribution to the community installation. The result is a window installation of approximately 300 circular constellations, all connected and suspended from each other.

A black background has drawings made of dots of light. Drawings include a happy cartoon-like frog, the Japanese flag, a silhouette of a figure holding hands and the word Japan.

One of the classes I worked with were studying Japan, and whilst hanging these, they felt like fortunes, blessings or hopes for the future that might be found in a Shinto shrine. I think there could be something in this process for when I hopefully expand the project into one with the wider community.

Thanks to Thatto Heath primary for the space to try this out.

George Groves Sound Heritage project

An orange disc made of wax has the profile of a mans face engraved into it. The dates 1888-1927 and the words George R Groves are engraved above and below. The engravings are highlighted in gold.

During summer 2023 I’ve worked with Dave Bixter and Rebecca Ainsworth to deliver a project with Buzzhub St Helens. This is a collaboration where art, history, and innovation converge, in the creation of a mesmerising film that celebrates the legacy of the pioneering Hollywood sound engineer, George Groves who was born in St. Helens.

A table has artworks and sculptures laid out on a black cloth.

The creative workshops have offered Buzz Hub’s film club participants the chance to delve into experimental music-making, sound recording and editing, musical and visual collages, etching into wax disks, and the captivating world of film-making. The result? An enthralling 6-minute film that weaves together ambient and abstract sounds and visuals, all born from the very heart of these workshops. Alex, a member of Buzz Hub’s film club said,  ‘I really enjoyed working with Dave, making music and putting together different sounds, it was just amazing!’

Artwork is laid out on a table, viewed from above. The artworks are circular discs with gold engravings, vinyl records and record sleeves with collaged images over them.

The project pays homage to George Groves in a way that not only honours his contributions but also ignites a spark of inspiration and creativity in the hearts of our community,” The film was unveiled during a Heritage Open Day event at St Helens Town Hall in September 2023 and can also be viewed below. Soon, some of the artefacts created during the workshops will also be on public display at Lucem House Community Cinema alongside their existing mural that marks Groves’ achievements.

This project was made possible by National Lottery Heritage Fund as part of ‘Creative Underground’, a two-year heritage project coordinated by St Helens Libraries & Archive Service.

Chester Contemporary Schools Programme

The base of a glass cabinet has small books made from paper that are printed with colourful architectural shapes and feature words including "quote, stage, performance, feel good"

Chester Contemporary is a new visual arts event curated by artist Ryan Gander. For the Contemporary, international and Chester-based artists, emerging talent, and the city’s people have been invited to make and show work for Chester’s unique places and spaces, inspired by the theme ‘Centred on the Periphery’.

I’ve been working on the schools programme as part of this new festival with Mickle Trafford Village Primary School creating ‘The City Unfolds’

Chester’s city centre is characterised by its secret passageways, hidden staircases, buildings on multiple levels and interesting places to be discovered. Year 5 pupils from Mickle Trafford Village School have shared some of their favourite places and studied the architecture of the city with artist Claire Weetman to create artist-book sculptures combining paper folding techniques, printing and poetry.

Inspired by both Claire’s artist-book practice and Unfurled, a University of Chester exhibition at the Grosvenor Museum (which ran until 2 July), the class have explored how to use the text, images and storytelling that can be found in books. They’ve combined these book-making elements to create their own sculptural artwork that reminds us of places in the city, including Chester Cathedral, the Rows, the Walls, dance and musical performances, the sound of food being served at the new market, and their top tips for the best pancakes in Chester! Their work can be seen in the display case outside Waterstones on Eastgate Row.

Thanks to the staff and pupils of Mickle Trafford Village School, Mickle Trafford, Cheshire.

Find out more about Chester Contemporary here

Artist Books in the Autumn. Stuttgart/Yokohama/Manchester

This autumn the three editions of Aridane’s thread will be joining a host other artist-book makers from around the world in three exhibitions.

Seiten | Räume
an artist-book project

// opening 12.9.2018 // Württembergische Kunstverein, Stuttgart

Linienscharen is a platform for contemporary drawing, which was founded in Stuttgart. Linienscharen have invited artists to submit a book project in the spirit of an artist’s book, which is to be exhibited at various locations that are not typical visual arts venues. A piece of furniture will be built that will present the submitted books in unison, allowing the audience the freedom to explore and leaf through the varied books. There will be an event for the opening at each location that focuses on inherent or additional aspects of the topic. After a week or two, the furniture will move on to another location, including the Graphothek at Stuttgart Bibliothek and the Stuttgarter Schriftstellerhaus (writer’s house)

Promoted by the city of Stuttgart

Reading Between The Lines:
Tokyo/Yokohama and St. Helens Artists’ Books and Zine

21 September – 1 October 2018.
Launchpad Gallery, Yokohama

Turning the Page: Manchester – Yokohama

29 September – 3 November 2018
Private View: Thursday 27 September 2018, 6-9pm
Paper Gallery, Manchester

Established in 2012 in the Tokyo/Yokohama area, Art Byte Critique responds to a desire for a community of artists interested in sharing ideas and feedback about their studio process.

Since 2014, Art Byte Critique artists have been exploring various modes of expression through artists’ books and zines. At the same time, Art Byte Critique established a connection with artists in St. Helens, England through artist Joan Birkett with the intent to develop relationships and collaborations.

This connection has happily borne fruit in 2018. Art Byte Critique artists and St. Helens artists organized a collaborative exhibition of artists’ books and zines at the Eccleston Community Library in St. Helens and the World of Glass in St. Helens this past spring. These works will tour to Paper Gallery in Manchester under the title “Turning the Page” from September 29 – November 3, 2018.

“Reading Between the Lines” at Launch Pad Gallery in Yokohama is the first collaborative artists’ books and zines exhibition for Art Byte Critique and the St. Helens artists in Japan. This exhibition will feature recent works and new works created by a number of artists for this exhibition. In the spirit of bookmaking and collaboration, “Reading Between the Lines” will be hosting a series of workshops and events by the artists. We want to give visitors a chance to learn more about bookmaking and try their hand at bookmaking.
Participating Artists:

Jane Barwood, Joan Birkett, Paul Cousins Deanna Gabiga Arthur Huang Patty Hudak Mariko Jesse Yuko Kamei A.J. Malone Jeni McConnell Carol Miller Julia Nascimento Lyle Nisenholz Mia O Lori Ono Jacqui Priestley Louise Rouse Yvonne Tinsley Claire Weetman Nick West

Christmas print sale, 9th December

This year I’ve been making a lot (for me) of print work, exploring monoprinting and adding in a little bit of screenprint for variety. I’ve participated in the Hot Bed Press 20:20 print exchange, which saw a flurry of print activity and furrowed brows at Platform studios in St Helens as 9 other artists joined together to create a series of 25 prints at 20cm square.

To celebrate this joint enterprise, we’re having a festive celebration at Platform studios on Saturday 9th December from 1-4pm. You’ll be able to view the works produced for the exchange, see the works we’ve received from other printmakers across the UK, eat cake that has been baked to fit the 20x20cm guidelines and enjoy a warming hot chocolate.

I’ll have a selection of prints for sale, some are especially festive and others are things I’ve worked on during this year. There will be prices from £2 to £10, and all of the proceeds from these sales will be ploughed into producing a new programme of work planned for 2018 that works directly with people who have been displaced from their home countries. Available prints and prices are in the gallery below, if you see something you like but can’t make it on the 9th, then get in touch and I can post it out to you for the price of a first class stamp (an extra 75p).

 

First performance of ‘What are you waiting for?’

On Monday 7th October, 4 people wearing crowd control barriers on belts waited in Runcorn Old Town.

What are you waiting for?


This work is included in the exhibition ‘Interval’ at the Brindley Arts Centre, Runcorn until 25th November 2017.

For more information about the work, visit its portfolio page